![]() Unapologetically political in a time where any sort of statement on any sort of issue is almost toxic, we follow Lincoln Clay, half african-american veteran of the Vietnam-War who returns to New Bordeaux (the games fictionalized version of New Orleans) in 1968, trying to find his footing in the civilian life. ![]() But once in a while a developer dares to break the cycle that chains the industry to the labels it has been given.Īlong comes Hangar 13s Mafia III. In a time in which games are still often dismissed as an inferior medium to tell stories, the industry itself has in many parts embraced it’s role on the lower end of the spectrum. ![]() In the most recent attempt at mature and meaningful storytelling in games, we sneak, shoot and slice our way through the most racist parts of the American South in Mafia III.
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